PRINCESS MARGARET

PRINCESS MARGARET

Over the centuries, stagehands have managed to get themselves in all kinds of trouble; but I might be the only one ever accused of trying to assassinate Princess Margaret of Great Britain.

I was working long hours doing the stage electric prep work for the start of another Guthrie season. It involved me hanging, focusing, regelling, and relamping the instruments that would be used in all the upcoming productions, as well as the specials that would be needed for the first play on the boards, KING LEAR, directed by Michael Langham. Len Cariou, fresh from starring in A LITTLE NIGHT MUSIC on Broadway, for which he received a Tony nomination, was playing Lear.

Seldom does an actor as young as Cariou was at the time, play Lear. Langham explained that this Lear would be very active physically. A good actor, like Len, could handle playing age; but an older actor could not handle the physical demands that this Lear would need.

It was anticipated, not only locally, but in the English -language theater world. So much so Princess Margaret, on a tour for some benefit, was stopping off at the Guthrie to watch a rehearsal. The rehearsals were still confined to the rehearsal room and would not move to main stage for a few more days. All the hoopla should not affect me at all. And it wouldn’t have if I had not bothered to return a tool from the shop that I had borrowed.

I drove around to the loading dock. In the park across the street there was a convention of police, Minneapolis police, Hennepin County police, plain clothes police, and about a dozen of Royal Canadian Mounties looking like drum majors in their bright red uniforms. Police cars parked everywhere, leaving the drive open to where I wanted to go. I drove down, went in the side door to the shop and replaced the tool.

But when I went to drive out, there was a car blocking my way to the street. The cars ended about a hundred feet up so I drove on the sidewalk, crossed over the grass and got on the street. A Minneapolis cop watched my maneuver and ran across the street, hollering at me to pull over to the curb. He ordered me out and yelled at me for driving on the sidewalk. His commotion drew a small crowd of bored policemen.

I explained why I was driving on the sidewalk and pointed out the car blocking the driveway.

‘That’s an unmarked police car,’ he blared in a raspy smoker’s voice.

‘Well, then,’ I shot back at him, ‘He can’t plead ignorance of the law about blocking off a driveway.’

I heard a few laughs from his audience. He whipped me around and made me place my hands on the car and frisked me. Then some cop said I looked like the leader of the protesters that were hounding the princess all day. Soon others began to agree and more cops came over from the park.

I told them that I didn’t know what they were talking about. I had been working all day and asked why anybody would be protesting her.

A Mountie stepped forward and said, ‘Irish Republican Army. Down here the cocknobbers call themselves the Free Ireland Organization. Just a bunch of hosers with a fancy name.’

‘Free Ireland! Do I look Irish? Hell, I don’t even watch the St. Paddy’s Day Parade on TV. Free Ireland!’ I wanted to say more but that little voice inside my head, my personal Jimmy Cricket, spoke up, Cool it, Don. Yes sir. No sir. Let’s get out of here. They’re just showing off.

Raspy whipped me around to face him and then pushed me against my pickup..Cool it, Don. ...Little Voice made sense. But the cops began a Greek Chorus accusations and arguments pro and con.

That’s him. Same size, hippy beard’

The loud mouth was wearing expensive clothes’…

‘Changed ‘em so he could sneak up on the lady’…

Back and forth. I tried to ignore it all just like the little voice was urging me to do. I was building up to tell them all what they could go do, in spite of it being anatomically impossible. Don’t Don. Please don’t. I concentrated on staring at Raspy’s shoes. Yes sir. No sir. Nothing else, Don.

A few were shouting just to forget it. One suggested kicking me in the arse eh, and sending me on my way. Some reminded the group that they were paid to do a job and damn it they should do it. Arrest him!

I looked into Raspy’s eyes. ‘On what @#@#ing charge?’ I said. Cool it, Don.

That’s when Raspy announced, ‘For attempted assassination of Princess Margaret of the Great Britain in England..’ That got everybody’s attention, especially mine.

‘Attempted assassination! With what?’

‘With this,’ he shouted and held the Swiss Army knife he had taken out of my pocket, high so all the cops could see.

I used it as a handy tool at times. It had two actual knife blades. One very small. One would have been normal pocket knife size except half of it had broken off years before.

My little voice went unheeded. I put my face as close to Raspy’s as possible and said, loud enough so most of the cops close by could hear, ‘You are some sick son-of-a-bitch!’

You damn fool, Don, you did it now!

I managed to duck his first punch at me, and had enough self-control to realize it would be insane to retaliate. Rope-a-dope! Rope-a-Dope! This time I listened. I did my best Mohammad Ali impression, leaned back against my truck and used my fists and forearms to my face.

A lot of commotion. Lot of shouting. A lot of grunts from me.

‘Hit him.’

‘Give me shot.’

‘Not in the face’

‘Kick him in the arse, eh.’

‘Punish him. Punish him.’

Even a God Save The Queen.

There’s no business like show business.

I’m glad I was providing comic relief for what had been a boring day for most of them. I just wished it could have been something that didn’t hurt so much, like maybe telling them a joke or two.

Show business… If you would have been content to stay in one of your real jobs, Don, you had before show biz, you wouldn’t be getting your arse kicked now. The little voice had a good point. My arms were getting tired of holding them up.

‘#$!@ you, Whiskey Breath!,’ I screamed at Raspy.

He took the bait. ‘Skinny,’ he hollered, ‘Get the car. This yoyo’s going downtown.’ He cuffed me, and shoved me in the back seat and got shotgun seat. The better to swing his arm at me. Skinny had a little difficulty driving. His beer belly rubbed against the steering wheel.

Don’t even think about laughing.

‘So, rummy, who will sweep up and empty the garbage when you are sitting in a cell?’

When I told him I wasn’t a janitor and he asked what I did there, dance in the chorus? When I told him I was the Master Electrician, he asked how a rummy like me got to be a Master Electrician.

(Now this was back in the days of releasing of the Nixon Tapes in censored transcripts.)

‘Well,’ I told him,’It was either being a Master Electrician or an Expletive Deleted” cop.’

DUCK!

I pulled back far enough so he fist didn’t reach my face. Skinny spoke up and warned him to wait until he had me alone before he continued with the rough stuff. When we got to the main jail, Skinny left us off and Raspy pushed me into a small room, Oh. Oh. He didn’t bother to close so that was a good sign. And an even better sign was he took off the cuffs. You can’t rope-a-dope with your hands behind your back.

He tried to get me to blow into a breathalizer, but my ribs were hurting so bad…

‘Damn rummy,’ he said, ‘Can’t even blow up a balloon.’

I pushed it back at him. Oh, no, Don. Let is pass. ‘Here show me how. You’re so full of gas…’

Finally I accomplished the test but he made me do it two more times. He did not like the results. ‘Upstairs,’ he said and pushed me toward the elevator.

Watch it, Don. That thing can stop between floors and your ribs can’t take much more.

This time I took the advice of the Little Voice. I headed up the stairs, hollering over my should as to why I wasn’t going in any elevator with him. ‘So shoot me in the back if you want to, gas bag.’

I pressed the door buzzer and told the jailer I had to come in because I was arrested. He was looking at me in a doubting way until he noticed Raspy huffing up the stairs. Raspy told him to throw me in a cell and he would get the paperwork soon. The jailer buzzed me in.

He motioned for me to sit at the desk and asked me questions like my name and address and when he finished I asked him if I could call my wife. I remembered to address him as sir. He smiled and pushed the desk phone over to me, not even compelling me to use the pay phone on the wall.

When I told my wife where I was, she wasn’t happy. When I told her why, it didn’t make her any happier. I asked her to call Tom, a lawyer I went to high school with, tell him what was going on, and then call me back. I gave her the number on the phone and thanked the jailer, again using the term sir. He handed me the newspaper and let me sit there waiting for my wife to call back.

There was an interview in the paper with the leader of the demonstrations. His picture did resemble  me a little. We both had beards. He was a children’s doctor.

My wife didn’t sound very happy when she told me what Tom had told her. Tom had called the Guthrie thinking maybe an explanation from them would straighten things out. He said he talked to somebody named Cranny, who told him he never heard of anybody named Don @#$# Ostertag, and then slammed the phone down. Tom said he couldn’t make it to court in the morning so I should just plead not guilty. He thought I would probably be released without bail and he would be with me when I had to go back. My wife wished me a good night and hoped she would see me the next day. She wasn’t happy.

The next morning, as soon as the judge took her seat, the prosecutor, who wasn’t happy, asked the judge for a side bar. The prosecutor showed the judge the paper with the charges against me, pointing out that demonstrating against anything was protected by the first amendment and the DUI charge was a joke, the result of the breathalyzer test showed nothing. The judge read the paperwork. She asked if the charging officer was in court. Naturally he wasn’t. She ordered that the charging officer either write up legitimate charges and appear with my next appearance, or send a letter apologizing for wasting the court’s time.

‘I plead Not Guilty, your honor,’ I blurted out, catching myself before I used sir.

She held up her hand and said this had to be straightened out first and I would receive a letter either with a new court date or an absolution. She told the bailiff to see to it I got back my personal belongs. He did, even my Swiss Army Knife, and I thanked the kind sir.

I took a bus and got to the Guthrie about ten. Duane, the assistant lighting director wasn’t concerned because I was late. He said we just had a little touchup and we’d be ready when Gill the lighting designer came in town later.

Duane had gone into the rehearsal room after we finished work the day before. He told how the Princess came in surrounded by men in suits. Michael Langham had never met any of the royal family and he was looking forward to meeting Princess Margaret. But just as the Princess was holding out her hand, a red alert came over a walkie- talkie that an employee of the Guthrie might be a threat to the Princess.

The suits pulled out their guns. One had his pointed at Michael’s head. The Princess acted as if nothing was taking place and continued to shake Michael’s hand. They were making small talk as the notification that the red alert was over and the situation was taken care of.

A few people expressed sympathy to me for the incident. Some of the veteran employees kidded me. Len Cariou told me he was certainly glad I didn’t get jail time because he wanted to get back some of the poker money I had taken from him in past seasons.

Michael Langham muttered something about Keystone Kops and shook his head. Cranny avoided me for several weeks. The letter from the court absolved me of the whole thing. My wife was happy. I had sure missed her smile.

My friend, Tom, never sent me a bill. Len Cariou’s poker playing never improved. KING LEAR was the success everyone thought it would be. My ribs healed up in a few weeks.

I thanked my Little Voice and promised to listen to him in the future.Yeah, sure you will.

Wrong time. Wrong Place. Big Mouth.

But the next time I had anything do with Royalty, it was a much more rewarding visit.

Princess Grace of Monaco

And that’s another story… coming soon.

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WHERE’S ‘EDDY’?

            Stagehands come in all shapes and sizes. They come from vastly different backgrounds and educations. Some specialize in one aspect, such as sound, lighting, building sets etc.. Some take pride in being jack-of-all stagehand trades. Some are content to push boxes, pull cable, work in trucks, etc.. Some try to learn as much as possible about the show or project they are working on. Others are content to concentrate only on what concerns them at the time.

            The last group puzzles me and very often gives me great amusement.

 

Joey B and I were on spotlights for a rock concert. The cue caller told Joey to swing over and pick up the bass.

“What?”

“The bass player. Pick him up!”

“Look,” Joey, who was a second generation stagehand with over thirty years in the business, explained, “I know a piano and drums and a guitar. I don’t know nothing about basses.”

“Okay,” the called sighed, “Pick up the ‘black guitar’. Ah, forget it! His solo is over.”

From then on, he used me on the solos.

 

I was working a spotlight at Orchestra Hall for one of the Oldies group.(Four Lads, Four Freshman,?) Hollywood, another stagehand, was on the other spot. Dick N was backstage working the light board. Since the group didn’t bring a cue caller with them, they gave Dick a cue sheet and asked him to cue the spots. Instead of cueing them as they came, Dick just read all the cues to us before the show started.

For the most part, they were simply fade out at the end of the song. Count to three and come back up. They did have one special cue though. During a certain song, when the quartet hits the bridge, the spots were to switch the gels to red and then to switch back to white at the end of the bridge.

“Dick,” Hollywood asked, “Where’s the bridge?

“How do I know?” Dick answered. “You can see the stage. I can’t.”

“Well,” Hollywood said, “There’s  gap between the key’s platform and the drum platform. Do you think that’s what they call the bridge?”

“Sounds good enough for me,” Dick said.

I cracked up. Since my mic was off, neither Hollywood nor Dick could hear me laughing, but customers sitting in the seats in front of my lamp could. They turned around and glared at me. Luckily, I got control of myself before the show actually started. Between Hollywood and Dick, they had some sixty years in the business and had no idea a song had a bridge. Basically, it is verse, chorus, verse, chorus, – bridge – chorus again.

The song came. I counted the verse and chorus twice and went red. Hollywood looked over at me, gave me a dirty look, and stayed in white. Since the quartet never did go to the gap between the two platforms, he never did switch to the red gel.

 

The-Beach-Boys In fairness though, there are some cues given stagehands that make no sense. For instance, Jimmy R came in to run a spot for a show of the Beach Boys at the Guthrie. He wasn’t there for the In, or the sound check. It was that dormant period where the Beach Boys were no longer hit makers and had not yet been designated America‘s Band. Jimmy was too young to have been a fan.

Cue caller – ‘Spot 2, (Jimmy), stand by to pick up Carl.’

Jimmy – ‘Which one is Carl?’

Cue caller – ‘He’s the one that was wearing the cowboy hat at sound check.’

 

Of course, it’s not just some stagehands that have tunnel vision in doing their work, some actors operate in the same manner.

One of my favorite actors was Ollie C. He excelled in taking a small role in a play at the Guthrie, and getting all he could out of it. He never fluffed his lines; but he never bothered to read any of the play other than his own part. And I doubt if he ever read much of anything else, like books or newspapers.

For instance, he came bounding in to the rehearsal for BECKETT, in which he had a small part as usual. ‘Guess what!’ he said to the director, ‘Do you know Beckett was a real person?’ The director just smiled and thanked him for telling him that fact.

Ollie’s cameo in KING LEAR occurred in the early part of the play and then he left the theater, never bothering to stick around for the curtain calls. One matinee though, he came up in the lighting booth and sat in the chair next to my lighting board.

‘I never saw it through to the end,’ he explained. ‘You don’t mind if I watch it from here, do you?’

‘Of course not,’ I said. And then I wisecracked, ‘Spoiler alert! He dies.

At the end, Lear dies. Ollie jumps up and looks at me. ‘He does die!’ he shouts. For the life of me, I never thought that Ollie, with all his years in theater, had had no idea of what happens to Lear.

 

To get back to Dick N. Dick was a very funny person, only he didn’t know he was funny. He was such a nice guy that you didn’t want to laugh when he came out with some wild statement and hurt him.

For instance, Dick and I were sitting in the stagehands’ room and Terry, Orchestra Hall’s sound man, walked in. Dick asked where he had been for such a long time.

‘I was down in the smoking room,’ Terry said. ‘Had a cigarette and then played some Solitaire.’

‘Playing Solitaire – by yourself!’ Dick said.

Each summer, the Minnesota Orchestra holds a Sommerfest. This particular year the theme was Vienna’s music. An Austrian flag was hung on the stage right and left wall of the orchestra shell. In the second week of the festival a patron pointed out that the two Austrian flags were hanging wrong. The imperial eagle’s head was at the bottom of the body. Tim E. told Dick to rehang the flag the right way. He showed Dick a picture of how the flag should look, the same picture he showed Dick when he told him to hang the flags in the first place.

‘I don’t remember seeing any flags with eagles on them when we toured there last winter,’ Dick commented. The Orchestra had made a tour of Australia the previous January.

‘Dick,’ Tim explained. ‘We went to Australia. These are Austrian flags.’

‘I know,’ Dick snapped. ‘I still don’t remember any flags with eagles on them in Australia when we were there.’ Then he muttered, ‘Eagles! You think they’d have kangaroos on their flag. I seen plenty of them down there.’

 

         gorme_320x245The recent death of Eydie Gorme got me thinking about the stories in this post. I have always enjoyed her singing ever since I first saw her on The Tonight Show starring Steve Allen. 

        She came to Orchestra Hall for a benefit. Dick had gone down to the smoking room after we had the stage set up; and either he smoked a whole pack or he took an afternoon nap, because he was gone for quite a while. He looked out on stage, where Eydie was doing sound check, and then he marched into the stagehands’ room.

         “Where’s Eddy? What’s that woman doing out on the stage? Get her off! Tell Eddy to get out there and do his sound check! That goofing around and we’re going to miss our supper break.”

         Dick needed his supper break. When he was just an ordinary stagehand, his supper was always two or three whiskeys and waters. Since he got the steady job at the Hall, he got refinement. He switched to vodka martinis.

         “Dick! She is the main act.”

         “Where’s Eddy? He get sick?”

         “Her name is Edyie. She’s the main act. Look, Dick, go take your supper break. We’ll take care of things here. If she takes too long, we’ll send out for some food.”

         “Oh! Okay.” He changed his attitude and put on his jacket. “She doesn’t look like an ‘Eddy’ to me. Probably short for Edna or something. I have a cousin we call Phil, short for Philomena.” He was almost out of the room when he stopped. “But my cousin looks like a Phil. That girl on the stage don’t look like an ‘Eddy’ to me.”

         The show went well. The audience finally came in from drinking in the lobby and bidding on the silent auction. There was the usual speeches and awards that are always a part of a benefit. Finally, Edyie came on and sang like an angel. She was only on for about 45 minutes. The audience still had to go across to the Hilton and dine and dance.

         Edyie and Dick had spent a long time waiting for her to go on and sing. On the Out, Dick did nothing but talk about what a nice person ‘Eddy’ was. A real nice person!

         “We talked and she asked me what we did up here in the winter. So I told her how we go deer hunting and snowmobiling.”

         Dick was one of very few stagehands who ever went deer hunting. And his idea of snowmobiling was to transport his sled and ride on his favorite trail. It was his favorite trail because it was never more than a 15 minute ride to the next bar.

         Somehow I don’t think that Edyie was interested in either deer hunting or snowmobiling. And, if she sat there and listened to Dick going on and on about them, she must have been the ‘real nice person’ that Dick thought she was.

         “So, Dick,” I said, “Did you ask her if ‘Eddy’ was short for Edna?”

         He frowned at me. “Of course not,” he said belligerently. “You think I want to embarrass her?”