CBS TV showed parts of the Tony Bennett/Lady Gaga concert at Radio City in Special touted as the last time you will see Tony Bennett, who is 95 and has Alzheimer’s. What a cold way to sell a show!
I watched one song in it. Tony was standing in the crook of the piano singing ‘Love For Sale, while Gaga danced. I turned it off. I felt that it was a case of taking advantage of Bennett. See the old man try to remember the words. Kind of like going to an auto race hoping to see a crash. Going to a hockey game hoping to see a fight. Slowing down driving by an accident to see if it was more than just a fender bender.
But Danny Bennett praised both the concert and the special. Said it was good for his father. And Danny loved his father. He gave up a musical and producing career to save his father’s life and get him back to being the man that Tony Bennett was before he hit rock bottom.
In an interview on CBS’s Sixty Minutes, Lady Gaga also said that working with his music again helped Tony Bennett. She described how during rehearsals and the first of the concerts, Bennett sang his Standards without missing a beat; but she said he was oblivious to her and everything else. But then when she came on stage in the second concert to do her duets with him. Tony watched her as she approached him. He broke out in a big smile and said, ‘Lady Gaga’. He remembered her.
Her words were a breakthrough in my understanding how the music helped Tony Bennett, even if only for a short while. I thought back on the countless times I held a fussy baby in my arms and sang,’Hush, little baby, now don’t you cry.’ Or cuddled a little one in my lap and sang,’You are my Special Angel, sent from up above’. While the song brought to the little one it also helped the singer’s disposition.
Familiar music brings back warm memories of bits and pieces of my life when I hear a certain song. There isn’t a day that I don’t tell Alexa to play songs from my library.
Jan and Dean were pioneers in Surfing Rock music. One of their biggest hits was Dead Man’s Curve. It dealt with a dangerous curve in a highway outside of L.A.. At the peak of their career, Jan Berry, driving his usual dangerous speed rammed into a parked truck a few miles from the curve. He was thought dead at the scene; but he manged to live, even if it took years before he could regain a semblance of his past life.
During these rehab years, Jan went on tour with Dean. One of the concerts was at Orchestra Hall in Minneapolis. I worked the lights from the stage right wing. Prior to half hour I went into the green room to get a cup of coffee. Both performers were sitting there. Dean was friendly and talked a good bit with me. Jan didn’t look at me. He stared out the window all the time. When they came into the wing waiting to go on stage. Dean smiled as he led Jan in. Jan had a hard time walking and just stared ahead.. My first thought was there was no way there would be a concert with Jan in that condition. I took the house lights out, the band began, stage lights up and watched as Dean holding onto Jan’s hand led his partner to the mic.
When the applause ended, the two began to sing. Jan gazed out into the darkness but he sang his parts without any problem. At the end, Dean led him off stage and Jan was back to his blank stare persona.
Eventually, Jan recovered and led a normal life in the music industry, albeit, with much physical pain. Then, 38 years after the accident, Jan suffered a stroke and died. But for that second lifetime, music was his medicine.
Back in 2016 I read where one of favorite lyric poets, singer/songwriter, Kris Kristofferson was in the early stages of Alzheimers. Kris was living on his ranch in Hawaii with a large portion of his 8 children, their children, and just about anyone who wanted to spend some time there. His wife took him to their place in California where the only extraneous noise would come from the music that Kris liked best. His memory improved in the solitude and in the fact a California doctor’s diagnosis was Lyme Disease, not Alzheimers, and changed the medicine. Kris announced his retirement in 2020, not because of health concerns but just old age. His wife says he is constantly filling up scraps of paper with new lyrics. So music helps but so does Second Opinions.
Brian Wilson was the musical genius behind The Beach Boys; the writer, producer, co-lead singer; but he thought the music was pedestrian, and aspired to compose in the manner of George Gershwin and others. His first nervous breakdown came on tour in Australia. He was replaced by a fine studio musician, Glen Campbell.
His bouts with mental illness led him to enlist a handler, Eugene Landry, a self professed expert, (aka con man), in helping the mentally disturbed. Landry soon became the biggest influence in Wilson’s life, taking over Wilson’s finances and in return ‘rehabilitated’ him with LSD, coke, opium, booze, junk food, etc., and cutting him off from his old friends and family.
In one of the rehab years, Wilson’s brothers Carl and Dennis, persuaded Brian to go on tour with the Beach Boys. One of the stops was Northrop Auditorium at the U of MN.
When it came time for Brian to take part in the concert, it was as if I was seeing Jan and Dean again. Brian’s two brothers led him to the mic. As he was led past me. I saw that blank stare Jan had had .But when it came time to join in, to co-lead sing, he did so just as if he was back in his old form. The same way Jan had done.
It took several years before he came back completely and when he did he broke off on his own. His two brothers were dead. Dennis drowned and Carl died of cancer. Their was bad feelings and lawsuits between Brian and the other members of the group.
Once again I witnessed the effect that music had on a person who was in grave need of it.
Age can also bring about a softness in the heart. I see where Brian Wilson is going to reunite with cousin Mike Love and Al Jardine, two other founders of The Beach Boys, and former unfriends, in a reunion tour of the group. You think maybe a new album will come out of the tour?
I worked many Frank Sinatra concerts over the years. Heck, I even paid to see him, once prior to being a stagehand and once while I was in the business. I worked the Rat Pack Tour in 1988 just after Dean Martin pleaded sickness and was replaced by Lisa Minnelli. The tour was just two years after Sinatra was hospitalized with a serious intestinal malady. It hadn’t slowed him down. His road manager told me that Martin left, not because of illness, but because of the antics of Sinatra and Sammy Davis Jr., like lighting firecrackers in the hotel corridors late at night.
But his age and past life caught up with him soon after. His heart, his lungs, his stomach began to slow him down. And he developed a form of dementia. One of his last concerts took place at the Met Ice Arena in Bloomington, MN., during the Super Bowl Week festivities in the Twin Cities in 1992. He had regressed greatly since I worked him in 88.
I got a hint of his problems during the stage set up. We put three very large video monitors across the front stage. In the test I saw the words to songs Sinatra had sung for years. The band was conducted, not by names like Nelson Riddle or Buddy Rich, but Frank Sinatra Jr., whose main concern was not so much the conducting as taking care of his father.
After sound check Jr. left to bring his father to the arena. I was there when he helped Frank out the limo in the corridor. Of all the times I worked Frank Sinatra he always pointed at me and said he remembered the hat. Always. He had always joked with the stagehands, but not this time. He looked only at his son.
I held a flashlight and walking backwards up the escape stairs to the stage shined it so Frank could see the steps, while Jr. followed, placing a reassuring hand on his father’s back.
He was breathing heavily as he struggled up the stairs. He paused midway up and spoke.
‘Hey, kid, where did you say we were?
‘I’ve been here before, haven’t I?’
‘Couple years ago on the Rat Pack tour.’
‘They with me tonight?’
‘No, Pop. Just you. You’re the big act for the Super Bowl shindig.’
‘Super Bowl! Who won?’
‘It’s next Sunday, Pop. We’ll watch on TV at home’.
I tried to swallow the lump that was in my throat. We waited stage left as the band played the introduction. Stage lights to dim and Jr. brought his dad to the large glow tape X where the vocal mic stand stood. Frank took the mic, held it the right distance from his mouth and launched into his first song, Night And Day’.
His voice was raspy but he still pronounced the lyrics distinct as he always did. He gave a good performance, relying on help from the video monitors. A few times he went up searching for what was next in the song; but Jr. and the band covered until he was back on track.
His familiar music was working a transformation. With each song’s ending, he seemed to regain more and more of his personality. His old patter returned, the wise cracks, even his remembering that it was Super Bowl week. But his voice was sounding more and more tired. Near the hour mark of the concert, the band cut loose with ‘Come Fly With Me’. At the end of the song, the stage lights went down. The applause erupted. The lights came back full and Sinatra sang ‘My Life’. ‘Each time I find myself flat on my face, I just pick myself up and get back in the race.’
The lights dimmed and the applause was louder than before. Sinatra’s encores always consisted of six or more song; but when the stage lights returned, Frank was at the top of the escape stairs with Frank Jr. and me and my flashlight.
‘Do I go back on, Kid?’
‘No, Pop. We’re going back to the hotel and then fly home tomorrow.’
‘Good. I am tired.’
Thank goodness the set had not included Frank singing ‘My Way’; but ease time I hear the song and the words ‘And now the end is near and I must face the final curtain’, I think back on the last Frank Sinatra concert I worked.
Frank Sinatra died two year later. But his music is still a favorite way of mine to relax me.
Glen Campbell suffered from Alzheimers for several years. His last tour is the subject of a documentary by James Keach of his last tour. The title of the film is ‘I’ll Be Me’. If you have a couple hours free and a couple boxes of Kleenix, I would recommend watching it.
In the first part Campbell is happy go lucky, singing his songs, carrying on with the three of his children who are in the band, doing Donald Duck impressions, teasing the young son of the bus driver, and fighting back against the loss of memory. But helpful as the first part of the tour was to Campbell, the second part broght out the horror of the disease. It showed Campbell in a foul mood most of the time, constantly complaining about the way the music was being played, the audiences, and wandering around the stage changing songs on the fly. Making up things to rant about. Forgetting importing things. At peace only when he was deep into singing or talking to his daughter.
His music had helped him but the length of the tour just was too much for anyone, much less a person with his mental problems.
The film premiered in 2015 and was updated in 2017 when Glen Campbell died.
The award winning song, ‘I’ m Not Going To Miss You,’ came about from a quote of Glen Campbell’s one day when he grew tired of trying to answer questions about his Alzheimers. ‘I don’t know why everybody’s worried about. It’s not like I am going to miss anyone anyway.’
And to Jan Berry, Kris Kristofferson, Brian Wilson, Frank Sinatra, Glen Campbell, and Tony Bennett, we understand about the times you didn’t miss anyone; but believe me I will always miss you and your music, memories, and medicine.
And I, for one, use your music as a balm to help overcome the anxiety of growing old.
And in the words of William Congreve
‘Music has charms to soothe a savage breast’